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*>>mplements and builds upon William Schutte??s 1957 volume, Joyce and Shakespeare, which concentrated on Ulysses. Mr. Cheng writes frankly for Wake devotees (people ??somewhat familiar with the Wake,?? as he says); and he is explicit that for them his researches lead to no overwhelming revelation, no skeleton key:While Joyce??s methods may be labyrinthine, his model is Daedalus, not Schopenhauer or Spinoza: the allusion
*>>such as light waves or the pull of gravity produce experience or, if we prefer, discriminatory response in a living organism.Ezra Pound and the Visual Artsedited with an introduction by Harriet ZinnesNew Directions, 322 pp., $25.95 Ezra Pound and His Worldby Peter AckroydScribner??s, 127 pp., $12.95 From adolescence to about 1934, Ezra Pound had considerable curiosity about plastic art, parallel to his curiosity about music. His verse, prime reliquary of his genius, is compact with vivid visual imagery:Autumn moon; hills rise above lakesagainst sunsetEvenin
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